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ISSN: 1859-2171
e-ISSN: 2615-9562
TNU Journal of Science and Technolog
225(03): 11 - 18
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn 11
A MULTIMODAL DISCOURSE ANALYSIS
OF FAST FOOD ADVERTISEMENTS IN ENGLISH
Nguyen Trong Du , Duong Hong Yen , Nguyen Thi Phuong
1 2* 1
1 2
Thai Nguyen University, TNU School of Foreign Languages
ABSTRACT
Online advertisement is one of the various kinds of media advertisement which unavoidably
surrounds people’s life these days. This paper presents the major findings of a recent study aiming
at figuring out which verbal and non-verbal elements have been used in fast food ads in English
and how effective they are on the consumption of the audience. The study drew on the Multimodal
Interactional discourse analysis (Norris, 2004) as both theoretical and analytical framework. Two
video ads of two well-known fast food chains in the world (Kentucky Fried Chicken
andMcDonald’s) were analyzed. The findings of the study reveal that apart from language, there
are many other communicative modes influencing people to consume fast food products such as
proxemics, posture, gesture, gaze, head movement, music, print, and layout. Each mode weighs
differently in the ads and has certain effects in persuading ad viewers.
Keywords: Advertisement; fast food; verbal and non-verbal elements; multimodal discourse
analysis; communicative mode.
Received: 10/5/2019; Revised: 24/7/2019; Published: 05/8/2019
PHÂN TÍCH DI ỄN NGÔN ĐA PHƯƠNG THỨC
NHNG QU NG TI NG ANH ẢNG CÁO ĐỒ ĂN NHANH BẰ
Nguyễn Trọng Du , Dương Hồng Yến , Nguyễn Thị Phượng
1 2* 1
1 2
Đại học Thái Nguyên, Khoa Ngoại ngữ ĐH Thái Nguyên-
TÓM T T
Qung cáo tr c tuy n m t trong s ng lo i hình qu ng cáo truy ế nh ền thông mà con người
thườ ng xuyên tiếp xúc trong th i hiời đạ n nay. M a bài báo là tìm ra các yục đích củ ếu t ngôn ng
phi ngôn ng c s d ng trong qu ng cáo th ng ti ng Anh và tác d ng đã đượ ức ăn nhanh bằ ế
thuy t ph c c i v i vi c tiêu th s n ph m c i xem. Nghiên c u này áp d ng mô ế ủa chúng đố ủa ngườ
hình phân tích di lý thuy ng phân ễn ngôn đa phương thức (Norris, 2004) làm cơ s ết và đường hướ
tích. Qua phân tích hai video qu ng cáo c a hai chu i th i ti ng th i (Kentucky ức ăn nhanh nổ ế ế gi
Fried Chicken McDonald), k t qu c a nghiên c u cho th , còn nhiế y ngoài ngôn ng u
phương thứ ảnh hưởng đế ức ăn nhanh như khoảc giao tiếp khác n vic tiêu th các sn phm th ng
cách không gian, tư thế ển động đầ ức độ, c ch, ánh mt, chuy u, âm nhc, in n và b cc. M nh
ng c a m c trong tỗi phương thứ ng qu ng cáo khác nhau tác d ng nh nh trong ất đị
vic thuy t ph i xem. ế ục ngườ
Từ khóa: Quảng cáo; thức ăn nhanh; yếu tố ngôn ngữ phi ngôn ngữ; phân tích diễn ngôn đa
phương thức; phương thức giao tiếp.
Ngày nhận bài: 10/5/2019; Ngày hoàn thiện: 24/7/2019; Ngày đăng: 05/8 /2019
* Corresponding author. Email: yendh@tnu.edu.vn
DOI: https://doi.org/10.34238/tnu-jst.2020.03.1322
Nguyen Trong Du et al
TNU Journal of Science and Technology
225(03): 11 - 18
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn
12
1. Introduction
There is little doubt that advertising plays a
crucial role in all kinds of business.
Individuals can easily find advertisements
anywhere. Over the last few decades,
advertising has become extremely popular
with a wide diversity in its forms. These days,
advertising and promotion have exceeded
their popularity beyond traditional media
dominating last century like newspaper,
magazines, radio or television. In accordance
with the rapid development of information
technology, online adverts seem to be more
preferred due to its merits such as time
saving, convenient [1]. Additionally, Chang
and Thorson [2] found that the advertising on
Television and Web could attract in higher
attention, higher trust in perceived message
and customers will have more positive
thought than the effect of repetition in the use
of single medium. Advertisement is a
powerful tool of communication to persuade
people to buy the product advertised [3]
because it plays an important role in
expressing and sending message of the
product. Advertisement, in a simple word,
means drawing attention to something or
notifying something to somebody [3]. As a
result, manufacturers see advertisements as a
key tool to bring their products to the
customers and to spread them worldwide.
Many fast food companies are very successful
although the quality of their food is
questioned every day in many research works
and documentaries. It seems that they are
willing to spend a lot of their budgets on
advertising. In order to make their fast food
products appeal to the viewers, the
corporations must find the best ways to
advertise. Interestingly, other semiotic
resources besides language begin to be used
more frequently and widely. Paltridge [4]
argued that we have hardly ever seen a
single use of one method of
communication when interacting with each
other, including through advertisements.
Also, Cook [5] explained that advertisements
are compilation of different elements and
these elements are interrelated to each other.
There have been some research on food
advertisements all over the world [6], [7];
however, virtually little attention has been
paid to multimodal analysis of fast food
advertisements. Hence, a multimodal
interactional discourse analysis study of
videos of fast food adverts will probably
bring about a comprehensive look at the
advertising discourse of fast food products.
The study aimed 1) to analyze discourse
features of fast food advertisements in the
perspective of multiple modes of
communication including both linguistic and
non-linguistic semiotic resources to achieve the
best persuasion effects; 2) to see how different
modes of communication are combined
together in the advertisements to achieve the
purposes of the fast food corporations.
2. Methodology
2.1. Data source
The data of the study include two video
advertisements of two world famous fast food
brands (KFC and McDonald’s), each of which
lasts about 30 seconds. They were published
on the website www.youtube.com in 2015 and
2018. These ads are related to such types of
fast food as fried chicken and burger.
2.2. Data analysis method
This study employed qualitative approach to
the multimodal discourse analysis, which, in
particular, applied the Multimodal
interactional analysis (hereinafter called MIA
for short) framework proposed by Norris [8]
as its primary analytical tool.
MIA, which grew out of mediated discourse
analysis (Scollon, [9] and Kress and van
Leeuwen’s early thoughts on multimodality
[10]), has evolved into a firm methodology
with a multitude of heuristic tools and strong
theoretical underpinnings. It systematically
examines multiple communication modes as
cues to meaning rather than privileging
language as the primary mode [8].
Nguyen Trong Du et al
TNU Journal of Science and Technology
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn
13
Multimodal discourse analysts see discourse
as involving multiple modes, which often
work together. For instance, in a face- -face to
conversation people do not just communicate
with spoken language. They also
communicate though their gestures, gaze,
facial expressions, posture, dress, how close
or far away they stand or sit from each other,
and many other things. Similarly, written
texts rarely consist only of words, especially
nowadays; they often include pictures, charts
or graphs. Even the font that is used and the
way paragraphs are arranged on a page or
screen can convey meaning.
The point of MIA is not to analyze these other
modes instead of speech and writing, but to
understand how different modes, including
speech and writing work together in discourse.
According to Norris [8], MIA is a holistic
methodological framework that allows the
analyst to integrate the verbal with the
nonverbal, and to integrate these with
material objects and the environment. MIA
takes an interaction, grapples with its verbal
and nonverbal language, and seeks to
understand how they are interwoven and
overlapping throughout the interaction. MIA,
in other words, focuses not only on language
but also on reading distinct types of nonverbal
language, defined as “communicative modes”
and determining how they link together as
smaller pieces of action, or “lower-level
actions”, to create a larger communication
chain or “higher level action” ([8], p. 11).
According to Norris [8], in addition to
language, the communicative modes include
the following things:
Proxemics
Proxemics is the ways we arrange our space
in relation to other objects and/ or people.
Posture
Posture is the study of the ways in which
individuals position their bodies.
Gesture
A gesture is a deliberately expressive
movement that has a sharp boundary of onset.
Head movement
Head movement is the study of the ways
that individuals position their heads.
Gaze
Gaze is the organization, direction, and
intensity of looking.
Music
Mode of music refers to the music that
appears in the interaction.
Print
The communicative mode of print refers to
written texts, including the language, the
medium, the typography, and the content
when it is incorporated into the interactions.
Layout
The communicative mode of layout refers to
the setting and the objects found within it.
In addition, according to Norris [8], in order to
analyze data in the perspective of MIA, it is
important for analysts to understand the following
concepts and consider them when analyzing.
Embodied vs disembodied modes
Apart from language, other communicative
modes such as gaze, gesture, posture could
play equal role or even superordinate role in a
lot of interactions and those are call embodied
modes. In contrast, disembodied modes are
the ones of the setting or material world that
people use in the interactions as music, print,
and layout. These modes can become
embodied modes when they take
superordinate role in the interactions.
Lower-level actions, higher level actions, and
frozen actions
A lower-level action is the smallest
interactional meaning unit whereas a higher-
level action bracketed by an opening and a
closing of the meeting and is made up of a
multiplicity of chained lower-level actions.
Frozen actions are the ones which were
performed by someone at an earlier time than
the real time of the interactions being
analyzed. These actions are frozen in the
material objects and the environment.
Modal density, modal intensity and modal
complexity
According to Norris [8], modal density refers
to the modal intensity and/or the modal
complexity through which a higher-level
action is shaped.
Nguyen Trong Du et al
TNU Journal of Science and Technology
225(03): 11 - 18
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn
14
The intensity, weight, or importance of
specific modes in interaction is decided by the
situation, the social actors, and other related
social and environmental factors. Hence, the
weight of any specific mode varies from one
interaction to the next or even within an
interaction. Modal complexity refers to the
interplay of multiple communicative modes
utilized in the interaction.
Attention vs awareness
A person may simultaneously engage in a few
higher-level actions on different levels of
attention and awareness.
Foreground-background continuum
Foreground-background continuum represents
the various degrees of attention that an individual
is simultaneously engaged in interaction.
3. Analysis and discussion
3.1. KFC advert
Name of video advert: KFC | Country Music
Singer [12]
Published date: 25 January 2018
Length: 30 seconds
Interaction: Musical performance
Participants: an American country music female
singer (Reba Nell McEntire); a music band
including four members playing instruments
Food: smoky Mountain BBQ (Barbecue
fried chicken)
Description
In the first part of the video, the main
participant - Reba singer that KFC hired for
the ad- sings a song in which the lyrics are
about the new BBQ chicken smoky
mountain BBQ. Then she changed her clothes
and appears in the image of the legendary
KFC salesman - the founder of KFC - Colonel
Harland Sanders. Finally, the video ends with
the information advertised the food together
with its price.
Analysis and discussion
In the video, the main participant performs
the foregrounded higher level action of
singing which are co-constructed by the
modes of spoken language, proxemics
posture, gesture, gaze, head movement, music
(embodied), print, and layout.
The images in the first three rows of the
Figure 1 (from 0:00.5 to 0:12.76) depict the
multiple modes that she uses to perform the
action of singing when being appeared as
Reba country music singer. Visible in the first
snapshot, she is standing, holding a
microphone in her right hand to sing, and
lifting her left hand upwards. She takes longer
distance with other participants the band
around her - than the table of KFC fast food
next to her. These distances were
predetermined by her actions of singing and
marketing for KFC. She does not need to
stand or sit near the members of the band to
perform the action of singing while in order to
advertise the foods she should position herself
closer to the table to be able to touch them.
The setting of the advert is in a jungle, which
is rarely seen in fast food adverts. This setting
could bring to the ad viewers a fresh
atmosphere and help them enjoy the music.
The mode of head movement also involves
when the singer shakes her head several times
as shown in the images at 0:04.12 and
0:05.20. It indicates that she is enjoying the
music very much. Hereby, the viewers may
feel relaxed when watching the performance.
Also, when combining this with the lyrics and
the piece of fried chicken she is holding, it
can be interpreted that she would like to show
the audience that the food is very delicious.
Therefore, she not only attracts the audience
to watch her performance but also encourages
them to buy KFC product. The music is
country music (the kind of music which Reba
singer is well-known for) with special lyrics
staring with the name of the target product
followed by some positive adjectives to
describe it: “smoky mountain barbecue fried
chicken so crispy and sweet. That fried crispy
chicken…”. The language here is very
important because without it we cannot
understand what the piece of song is about;
therefore, it takes on high intensity in the
interaction. However, when there is an image
of the fried chicken appeared as illustrated in
the second picture in the second row of the
figure, the role of language has decreased.
Nguyen Trong Du et al
TNU Journal of Science and Technology
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15
Viewers can somehow know about the
product by just looking at it as well. After the
singer asks the band to stop the music for a
while and change her clothes (from images at
0:11.08 to 0:12.76), she continues singing
“…sell my delicious new smoky mountain
barbecue” but this time she holds a piece of
fried chicken instead of a microphone. This
action enables the viewers to get the most
important message from the advertiser - to
promote the new fried chicken product of
KFC. Beside necessary objects for a musical
performance such as a micro, instruments like
drums, guitars, and violin, there are some
objects that are used in the video to
communicate their own meanings (see from
images at 0:13.47 to 0:29.86). Firstly, the set
of clothes including white suit, glasses and
related accessories that the salesman (Reba
singer disguised) is wearing is actually a
typical KFC brand image (image at 0:13.47).
It depicts the owner of the food chain,
Colonel. Secondly, the table on which the
smoky mountain BBQ displayed is set next to
the salesman so that the person can pick it up
more easily (images at 0:09.38 and 0:19.20).
Here we could interpret that there are some
frozen actions completed as making the fried
chicken and putting them on the table instead
of showing how and the process to make the
fast food because maybe the company would
like to hide the secret of making the food.
As for the mode of print, it can be seen that
the name of the target product “KFC smoky
mountain BBQ” appeared throughout the
video (almost images of Figure 1). In the very
last part of the ad, the whole image of the
food is shown together with its name and
price as revealed in the image at 0:29.86. It
helps emphasize KFC brand name.
In summary, in this advert the advertiser
would like to introduce the target fast food
through the higher level action of singing.
This action can only be constructed with
music, utilizing music as an embodied mode.
The mode of music, therefore, takes on high
intensity. The modes of print and layout have
big impacts on targeting the audiences at the
KFC product. Spoken language (lyrics in this
case) is also important. However, if it is
removed, the viewers can still understand the
purpose of the advertiser for the product by
the end of the clip. The main participant
utilizes proxemics, head movement, gaze,
posture, gesture rather intensely but if they
are changed in some ways or taken away, the
action of singing would still be possible. It
cannot be denied these modes take somewhat
modal intensity for the singer to have her best
performance but they are not as intense as the
mode of spoken language in the first part of
the ad and mode of music.
Figure 1. Full multimodal transcript of KFC ad
3.2. McDonald’s advert
Name of video advert: Best ever McDonalds
“My Dad” TV Advert - June 2015 [12]
Published date: 9 June 2015
Length: 30 seconds
Interaction: having a meal
Participants: dad, son
Food: Barbecue chicken legend deluxe (Burger)
0:00.5
smoky mountain barbecue
0:04.12
0:05.20
0:09.38
fried chicken so and crispy sweet
That crispy fried chicken
0:11.08
0:12.76
Alright stop stop
I can’t do this
I thought
if I dressed up like a country music legen
it would help KFC
sell my delicious new smoky mountain barbecue
Tritan attenders basket for just $4.9
0:13.47
0:19.20
0:27.02
0:29.86
Nguyen Trong Du et al
TNU Journal of Science and Technology
225(03): 11 - 18
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn
16
Description
The dad and son sit indoors. It is probably the
place in which the kind of food is served. The
son talks to himself in his thoughts about how
he would make his daily chicken sandwich.
Then, he mentions different ingredients to
make that food together with their
illustrations. Next, he passes the burger to his
dad with a smile and the father smiles back
without saying a word. The images of the
food, the logo and slogan come up at the end
of the advertisement.
Analysis and discussion
The first image in Figure 2 shows the boy
sitting, looking intently at something or
someone opposite. He thinks in his mind
about making “daily chicken sandwich” and
then lists the ingredients as visible in the
images at 0:05.29 to 0:13.88. If the words in
his mind are not transcribed, viewers can still
somehow guess what he is thinking about
thanks to the vivid illustrations of the
ingredients (chicken, bacon, lettuce, cheese,
sauce, bun). So, verbal behavior takes on no
intensity for the two actors and somewhat
intensity for the audiences. The still image at
0:16.35 starts to reveal the person who is
gazing towards his father, the proximity they
take, their posture, gesture, head positions, the
setting, etc. They are sitting face- -face at a to
dining table inside a restaurant and the son is
going to perform the action of passing a
burger to his dad. The boy takes up shorter
distance to the hamburger so that he could
touch it easily. This proximity makes the
interaction between the participants possible.
Imagine if they changed their seats to sit next
to each other to one side, it would be difficult
for both to observe the other partner and
perform the actions they want; therefore, the
proxemics mode in this case takes on high
intensity in interaction.
Then, they both look at the burger on the
table (as in image at 0:17.60) before the son
passes it to his daddy (image at 0:18.51.). It
means that both of them are highly aware of
and attentive to the on-going interaction.
After that, they give each other mutual gaze
and smile happily. As illustrated in the
figure, the two participants communicate
their perceptions, thoughts, and feelings
mainly through their gestures and gazes
without spoken language while head
movement, which changes according to
those modes, plays a subordinate role for the
other modes. They still understand what the
other person wants to say and show their
emotions accordingly.
The last image of the figure at 0:23.40 shows
the logo and slogan of McDonald’s company.
It helps emphasize the trademark.
Figure 2. Full multimodal transcript
of McDonald’s ad
gaze at his dad
If I was making my daily chicken sandwich
it would have in it really good chicken
a proper bacon
crisp lettuce
cheese
and it would being one of them
toasted rolls with barbecue sauce
my dad’s a legend
and that’s the least he deserves
0:01.16
0:05.29
0:07.52
0:10.04
0:12.15
0:13.88
0:18.51
0:20.75
0:19.90
0:23.40
0:16.35
0:17.60
Nguyen Trong Du et al
TNU Journal of Science and Technology
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn
17
As we know, in a lot of interactions, language
often plays primary role in conveying
messages; however; here, there is no verbal
conversation between the two actors in the
advert but the interaction is still on-going by
various communicative modes. Thus, rather
than looking at posture, gesture, head
movement and gaze as an appendix to
language and viewing language as the central
mode, language in this interaction takes on no
particular intensity for the participants and for
the viewers it is simply a part of meaning-
making aggregate. The son uses posture,
gesture, head movement and gaze to
communicate with his father, which is only
possible through his use of the modes of
layout and proxemics. The mode of print
provides more information for the sale of the
fast food product and highlights the
McDonald’s brand name. These modes are
tightly interconnected and together send a
coherent message. Among these modes, gaze
is a very necessary component for the son,
which follows his action of passing the burger
and observes his dad’s reaction. For the dad,
gaze is also crucial because he cannot know
what is going on without seeing in his own
eyes. Therefore, gaze takes on high intensity
in the interaction. In addition to all the modes
above, facial expression should not be missed
to mention. It helps express the participants’
feelings, which in this advert possibly are
love and satisfaction, without language. In
short, it could be implied from the ad that
giving McDonald’s chicken sandwich to
someone you adore is one of the ways to
express how much you love them. As a result,
McDonald’s would attract more customers
come to buy their fast food.
4. Conclusion
To conclude, by analyzing two advert videos
of the two well-known fast food brands (KFC
and McDonald’s), the linguistic and non-
linguistic features utilized have been pointed
out: spoken language, proxemics, posture,
gesture, gaze, head movement, music, print
and layout. These modes are interconnected to
one another to convey messages from the
producers to the customers, and the
employment of one mode is not possible
without at least some others. Their roles,
however, could be at different levels of
significance. In other words, as Norris defined
[8], they take different levels of intensity in
interactions. However, it could be some
modes, not all of the modes appeared in one
advertisement. By looking closely at the
sample videos, it could be interpreted that
language in fast food advertisements, unlike in
other situations, generally is not always the
only and primary communicative means
meanwhile music, gaze, print, and layout are
also shown to play crucial roles in transferring
meanings as well as attracting the audiences.
Regarding effects that linguistic and
nonlinguistic features in fast food advert
videos, it could be concluded from the
findings that all communicative modes
emerged in the ads support one another in
order to reach the audiences’ eyes, ears and
emotions. This is a lot different from adverts
on radio or newspaper in which one mode
may dominate other modes. By combining
various communicative modes in advert
videos, the producers could express the best
of their products in interesting and
entertaining ways.
As for some implications of the study, in the
first place, the researcher believe that the
study contributes to enrich the existing
literature of discourse analysis on fast food
advertisements, especially basing on
multimodal interactional discourse analysis
which could not be seen in the majority of
studies on advertising. Hence, this research is
expected to severe as a helpful reference for
students majoring in English language of
English language researchers when they study
fast food advertisements.
Nguyen Trong Du et al
TNU Journal of Science and Technology
225(03): 11 - 18
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn
18
Furthermore, the results of the study could be
beneficial in teaching and learning English
language as well. English learners who desire
to master English language, especially
English conversations, should not only pay
attention to learn the language only.
Similarly, teachers of English should be
reminded to combine considering other
communicative features such as proxemics,
posture, gesture, gaze, head movement,
music, print, and layout rather than linguistic
feature only in understanding and teaching
conversational English.
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ISSN: 1859-2171
TNU Journal of Science and Technolog 225(03): 11 - 18 e-ISSN: 2615-9562
A MULTIMODAL DISCOURSE ANALYSIS
OF FAST FOOD ADVERTISEMENTS IN ENGLISH
Nguyen Trong Du1, Duong Hong Yen2*, Nguyen Thi Phuong1 1 2
Thai Nguyen University, TNU School of Foreign Languages ABSTRACT
Online advertisement is one of the various kinds of media advertisement which unavoidably
surrounds people’s life these days. This paper presents the major findings of a recent study aiming
at figuring out which verbal and non-verbal elements have been used in fast food ads in English
and how effective they are on the consumption of the audience. The study drew on the Multimodal
Interactional discourse analysis (Norris, 2004) as both theoretical and analytical framework. Two
video ads of two wel -known fast food chains in the world (Kentucky Fried Chicken
andMcDonald’s) were analyzed. The findings of the study reveal that apart from language, there
are many other communicative modes influencing people to consume fast food products such as
proxemics, posture, gesture, gaze, head movement, music, print, and layout. Each mode weighs
differently in the ads and has certain effects in persuading ad viewers.
Keywords: Advertisement; fast food; verbal and non-verbal elements; multimodal discourse analysis; communicative mode.
Received: 10/5/2019; Revised: 24/7/2019; Published: 05/8/2019
PHÂN TÍCH DIỄN NGÔN ĐA PHƯƠNG THỨC NHNG QU
ẢNG CÁO ĐỒ ĂN NHANH BẰNG TING ANH
Nguyễn Trọng Du1, Dương Hồng Yến2*, Nguyễn Thị Phượng1 1 2
Đại học Thái Nguyên, Khoa Ngoại ngữ - ĐH Thái Nguyên TÓM TẮT
Quảng cáo trực tuyến là một trong số những loại hình quảng cáo truyền thông mà con người
thường xuyên tiếp xúc trong thời đại hiện nay. Mục đích của bài báo là tìm ra các yếu tố ngôn ngữ
và phi ngôn ngữ đã được sử dụng trong quảng cáo thức ăn nhanh bằng tiếng Anh và tác dụng
thuyết phục của chúng đối với việc tiêu thụ sản phẩm của người xem. Nghiên cứu này áp dụng mô
hình phân tích diễn ngôn đa phương thức (Norris, 2004) làm cơ sở lý thuyết và đường hướng phân
tích. Qua phân tích hai video quảng cáo của hai chuỗi thức ăn nhanh nổi tiếng thế giới (Kentucky
Fried Chicken và McDonald), kết quả của nghiên cứu cho thấy ngoài ngôn ngữ, còn có nhiều
phương thức giao tiếp khác ảnh hưởng đến việc tiêu thụ các sản phẩm thức ăn nhanh như khoảng
cách không gian, tư thế, cử chỉ, ánh mắt, chuyển động đầu, âm nhạc, in ấn và bố cục. Mức độ ảnh
hưởng của mỗi phương thức trong từng quảng cáo là khác nhau và có tác dụng nhất định trong
việc thuyết phục người xem.
Từ khóa: Quảng cáo; thức ăn nhanh; yếu tố ngôn ngữ và phi ngôn ngữ; phân tích diễn ngôn đa
phương thức; phương thức giao tiếp.

Ngày nhận bài: 10/5/2019; Ngày hoàn thiện: 24/7/2019; Ngày đăng: 05/8/2019
* Corresponding author. Email: yendh@tnu.edu.vn
DOI: https://doi.org/10.34238/tnu-jst.2020.03.1322
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn 11 Nguyen Trong Du et al
TNU Journal of Science and Technology 225(03): 11 - 18 1. Introduction
Also, Cook [5] explained that advertisements
There is little doubt that advertising plays a are compilation of different elements and
these elements are interrelated to each other.
crucial role in al kinds of business. There have been some research on food
Individuals can easily find advertisements advertisements al over the world [6], [7];
anywhere. Over the last few decades, however, virtual y little attention has been
advertising has become extremely popular paid to multimodal analysis of fast food
with a wide diversity in its forms. These days, advertisements. Hence, a multimodal
advertising and promotion have exceeded interactional discourse analysis study of
their popularity beyond traditional media videos of fast food adverts wil probably
dominating last century like newspaper, bring about a comprehensive look at the
magazines, radio or television. In accordance advertising discourse of fast food products.
with the rapid development of information The study aimed 1) to analyze discourse
technology, online adverts seem to be more features of fast food advertisements in the
preferred due to its merits such as time perspective of multiple modes of
saving, convenient [1]. Additional y, Chang communication including both linguistic and
and Thorson [2] found that the advertising on non-linguistic semiotic resources to achieve the
Television and Web could attract in higher best persuasion effects; 2) to see how different
attention, higher trust in perceived message modes of communication are combined
and customers wil have more positive together in the advertisements to achieve the
thought than the effect of repetition in the use purposes of the fast food corporations.
of single medium. Advertisement is a 2. Methodology
powerful tool of communication to persuade
people to buy the product advertised [3] 2.1. Data source
because it plays an important role in The data of the study include two video
expressing and sending message of the advertisements of two world famous fast food
product. Advertisement, in a simple word, brands (KFC and McDonald’s), each of which
means drawing attention to something or lasts about 30 seconds. They were published
notifying something to somebody [3]. As a on the website www.youtube.com in 2015 and
result, manufacturers see advertisements as a
2018. These ads are related to such types of
key tool to bring their products to the fast food as fried chicken and burger.
customers and to spread them worldwide. 2.2. Data analysis method
Many fast food companies are very successful This study employed qualitative approach to
although the quality of their food is the multimodal discourse analysis, which, in
questioned every day in many research works particular, applied the Multimodal
and documentaries. It seems that they are interactional analysis (hereinafter cal ed MIA
wil ing to spend a lot of their budgets on for short) framework proposed by Norris [8]
advertising. In order to make their fast food as its primary analytical tool.
products appeal to the viewers, the MIA, which grew out of mediated discourse
corporations must find the best ways to analysis (Scol on, [9] and Kress and van
advertise. Interestingly, other semiotic Leeuwen’s early thoughts on multimodality
resources besides language begin to be used[ 10]), has evolved into a firm methodology
more frequently and widely. Paltridge [4] with a multitude of heuristic tools and strong
argued that we have hardly ever seen a t heoretical underpinnings. It systematical y
single use of one method of examines multiple communication modes as
communication when interacting with each cues to meaning rather than privileging
other, including through advertisements. language as the primary mode [8]. 12
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TNU Journal of Science and Technology 225(03): 11 - 18
Multimodal discourse analysts see discourse Gaze
as involving multiple modes, which often Gaze is the organization, direction, and
work together. For instance, in a face-to-face intensity of looking.
conversation people do not just communicate Music with spoken language. They
also Mode of music refers to the music that
communicate though their gestures, gaze, appears in the interaction.
facial expressions, posture, dress, how close Print
or far away they stand or sit from each other, The communicative mode of print refers to
and many other things. Similarly, written written texts, including the language, the
texts rarely consist only of words, especial y medium, the typography, and the content
nowadays; they often include pictures, charts when it is incorporated into the interactions.
or graphs. Even the font that is used and the Layout
way paragraphs are arranged on a page or The communicative mode of layout refers to screen can convey meaning.
the setting and the objects found within it.
The point of MIA is not to analyze these other
modes instead of speech and writing, but to In addition, according to Norris [8], in order to
understand how different modes, including analyze data in the perspective of MIA, it is
speech and writing work together in discourse. important for analysts to understand the fol owing
According to Norris [8], MIA is a holistic
concepts and consider them when analyzing.
methodological framework that al ows the Embodied vs disembodied modes
analyst to integrate the verbal with the Apart from language, other communicative
nonverbal, and to integrate these with modes such as gaze, gesture, posture could
material objects and the environment. MIA play equal role or even superordinate role in a
takes an interaction, grapples with its verbal lot of interactions and those are cal embodied
and nonverbal language, and seeks to modes. In contrast, disembodied modes are
understand how they are interwoven and the ones of the setting or material world that
overlapping throughout the interaction. MIA, people use in the interactions as music, print,
in other words, focuses not only on language and layout. These modes can become
but also on reading distinct types of nonverbal embodied modes when they take
language, defined as “communicative modes”
superordinate role in the interactions.
and determining how they link together as Lower-level actions, higher level actions, and
smal er pieces of action, or “lower-level frozen actions
actions”, to create a larger communication
A lower-level action is the smal est
chain or “higher level action” ([8], p. 11).
interactional meaning unit whereas a higher-
According to Norris [8], in addition to
language, the communicative modes include level action bracketed by an opening and a the fol owing things:
closing of the meeting and is made up of a Proxemics
multiplicity of chained lower-level actions.
Proxemics is the ways we arrange our space Frozen actions are the ones which were
in relation to other objects and/ or people.
performed by someone at an earlier time than Posture
the real time of the interactions being
Posture is the study of the ways in which analyzed. These actions are frozen in the
individuals position their bodies.
material objects and the environment. Gesture
Modal density, modal intensity and modal
A gesture is a deliberately expressive complexity
movement that has a sharp boundary of onset.
According to Norris [8], modal density refers Head movement
to the modal intensity and/or the modal
Head movement is the study of the ways complexity through which a higher-level
that individuals position their heads. action is shaped.
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TNU Journal of Science and Technology 225(03): 11 - 18
The intensity, weight, or importance of The images in the first three rows of the
specific modes in interaction is decided by the Figure 1 (from 0:00.5 to 0:12.76) depict the
situation, the social actors, and other related multiple modes that she uses to perform the
social and environmental factors. Hence, the action of singing when being appeared as
weight of any specific mode varies from one Reba country music singer. Visible in the first
interaction to the next or even within an snapshot, she is standing, holding a
interaction. Modal complexity refers to the microphone in her right hand to sing, and
interplay of multiple communicative modes lifting her left hand upwards. She takes longer utilized in the interaction.
distance with other participants – the band Attention vs awareness
around her - than the table of KFC fast food
A person may simultaneously engage in a few next to her. These distances were
higher-level actions on different levels of predetermined by her actions of singing and attention and awareness.
marketing for KFC. She does not need to
Foreground-background continuum
stand or sit near the members of the band to
Foreground-background continuum represents perform the action of singing while in order to
the various degrees of at ention that an individual advertise the foods she should position herself
is simultaneously engaged in interaction.
closer to the table to be able to touch them. 3. Analysis and discussion
The setting of the advert is in a jungle, which
is rarely seen in fast food adverts. This setting 3.1. KFC advert
could bring to the ad viewers a fresh
Name of video advert: KFC | Country Music atmosphere and help them enjoy the music. Singer [12]
The mode of head movement also involves
Published date: 25 January 2018
when the singer shakes her head several times Length: 30 seconds
as shown in the images at 0:04.12 and
Interaction: Musical performance
0:05.20. It indicates that she is enjoying the
Participants: an American country music female music very much. Hereby, the viewers may
singer (Reba Nel McEntire); a music band feel relaxed when watching the performance.
including four members playing instruments
Also, when combining this with the lyrics and
Food: smoky Mountain BBQ (Barbecue the piece of fried chicken she is holding, it fried chicken)
can be interpreted that she would like to show Description
the audience that the food is very delicious.
In the first part of the video, the main Therefore, she not only attracts the audience
participant - Reba singer that KFC hired for to watch her performance but also encourages
the ad- sings a song in which the lyrics are them to buy KFC product. The music is
about the new BBQ chicken – smoky country music (the kind of music which Reba
mountain BBQ. Then she changed her clothes singer is wel -known for) with special lyrics
and appears in the image of the legendary staring with the name of the target product
KFC salesman - the founder of KFC - Colonel fol owed by some positive adjectives to
Harland Sanders. Final y, the video ends with describe it: “smoky mountain barbecue fried
the information advertised the food together chicken so crispy and sweet. That fried crispy with its price.
chicken…”. The language here is very Analysis and discussion
important because without it we cannot
In the video, the main participant performs understand what the piece of song is about;
the foregrounded higher level action of therefore, it takes on high intensity in the
singing which are co-constructed by the interaction. However, when there is an image
modes of spoken language, proxemics of the fried chicken appeared as il ustrated in
posture, gesture, gaze, head movement, musict he second picture in the second row of the
(embodied), print, and layout.
figure, the role of language has decreased. 14
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TNU Journal of Science and Technology 225(03): 11 - 18
Viewers can somehow know about the KFC product. Spoken language (lyrics in this
product by just looking at it as wel . After the case) is also important. However, if it is
singer asks the band to stop the music for a removed, the viewers can stil understand the
while and change her clothes (from images at purpose of the advertiser for the product by
0:11.08 to 0:12.76), she continues singing the end of the clip. The main participant
“…sell my delicious new smoky mountain
utilizes proxemics, head movement, gaze,
barbecue” but this time she holds a piece of
posture, gesture rather intensely but if they
fried chicken instead of a microphone. This are changed in some ways or taken away, the
action enables the viewers to get the most action of singing would stil be possible. It
important message from the advertiser - to cannot be denied these modes take somewhat
promote the new fried chicken product of modal intensity for the singer to have her best
KFC. Beside necessary objects for a musical performance but they are not as intense as the
performance such as a micro, instruments like mode of spoken language in the first part of
drums, guitars, and violin, there are some the ad and mode of music.
objects that are used in the video to
communicate their own meanings (see from 0:00.5 0:04.12
images at 0:13.47 to 0:29.86). Firstly, the set
of clothes including white suit, glasses and smoky mountain barbecue
related accessories that the salesman (Reba
singer disguised) is wearing is actual y a
typical KFC brand image (image at 0:13.47). 0:05.20 fried chicken so cr 0:09.38 ispy and sweet
It depicts the owner of the food chain,
Colonel. Secondly, the table on which the That crispy fried chicken
smoky mountain BBQ displayed is set next to
the salesman so that the person can pick it up 0:11.08 0:12.76
more easily (images at 0:09.38 and 0:19.20).
Here we could interpret that there are some Alright stop stop I can’t do this
frozen actions completed as making the fried
chicken and putting them on the table instead
of showing how and the process to make the 0:13.47 0:19.20
fast food because maybe the company would Ithought
like to hide the secret of making the food.
if I dressed up like a country music legen
As for the mode of print, it can be seen that
the name of the target product “KFC smoky 0:27.02 0:29.86
mountain BBQ” appeared throughout the it would help KFC
video (almost images of Figure 1). In the very sel my delicious new smoky mountain barbecue
last part of the ad, the whole image of the
Tritan attenders basket for just $4.9
food is shown together with its name and Figure 1. Ful multimodal transcript of KFC ad
price as revealed in the image at 0:29.86. It
helps emphasize KFC brand name.
3.2. McDonald’s advert
In summary, in this advert the advertiser Name of video advert: Best ever McDonalds
would like to introduce the target fast food “My Dad” TV Advert - June 2015 [12]
through the higher level action of singing. Published date: 9 June 2015
This action can only be constructed with
music, utilizing music as an embodied mode. Length: 30 seconds
The mode of music, therefore, takes on high Interaction: having a meal
intensity. The modes of print and layout have Participants: dad, son
big impacts on targeting the audiences at the Food: Barbecue chicken legend deluxe (Burger)
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn 15 Nguyen Trong Du et al
TNU Journal of Science and Technology 225(03): 11 - 18 Description
and attentive to the on-going interaction.
The dad and son sit indoors. It is probably the After that, they give each other mutual gaze
place in which the kind of food is served. The and smile happily. As illustrated in the
son talks to himself in his thoughts about how figure, the two participants communicate
he would make his daily chicken sandwich. their perceptions, thoughts, and feelings
Then, he mentions different ingredients to mainly through their gestures and gazes
make that food together with their without spoken language while head
il ustrations. Next, he passes the burger to his movement, which changes according to
dad with a smile and the father smiles back those modes, plays a subordinate role for the
without saying a word. The images of the other modes. They stil understand what the
food, the logo and slogan come up at the end other person wants to say and show their of the advertisement. emotions accordingly. Analysis and discussion
The last image of the figure at 0:23.40 shows
The first image in Figure 2 shows the boy the logo and slogan of McDonald’s company.
sitting, looking intently at something or It helps emphasize the trademark.
someone opposite. He thinks in his mind
about making “daily chicken sandwich” and 0:01.16 0:05.29
then lists the ingredients as visible in the If I was making my daily chicken sandwich
images at 0:05.29 to 0:13.88. If the words in
it would have really good chicken in it
his mind are not transcribed, viewers can stil
somehow guess what he is thinking about
thanks to the vivid il ustrations of the 0:07.52 0:10.04
ingredients (chicken, bacon, lettuce, cheese, a proper bacon
sauce, bun). So, verbal behavior takes on no crisp lettuce
intensity for the two actors and somewhat
intensity for the audiences. The stil image at
and it would being one of them
0:16.35 starts to reveal the person who is
0:12.15 toasted rol s with barbec 0:13.88 ue sauce
gazing towards his father, the proximity they cheese
take, their posture, gesture, head positions, the
setting, etc. They are sitting face-to-face at a
dining table inside a restaurant and the son is 0:16.35 0:17.60
going to perform the action of passing a
burger to his dad. The boy takes up shorter
distance to the hamburger so that he could
touch it easily. This proximity makes the
interaction between the participants possible. 0:18.51 0:19.90
Imagine if they changed their seats to sit next
to each other to one side, it would be difficult my dad’s a legend
for both to observe the other partner and
perform the actions they want; therefore, the gaze at his dad
proxemics mode in this case takes on high 0:20.75 0:23.40 intensity in interaction.
Then, they both look at the burger on the and that’s the least he deserves
table (as in image at 0:17.60) before the son
passes it to his daddy (image at 0:18.51.). It
Figure 2. Ful multimodal transcript
means that both of them are highly aware of of McDonald’s ad 16
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn Nguyen Trong Du et al
TNU Journal of Science and Technology 225(03): 11 - 18
As we know, in a lot of interactions, language out: spoken language, proxemics, posture,
often plays primary role in conveying gesture, gaze, head movement, music, print
messages; however; here, there is no verbal and layout. These modes are interconnected to
conversation between the two actors in the one another to convey messages from the
advert but the interaction is stil on-going by producers to the customers, and the
various communicative modes. Thus, rather employment of one mode is not possible
than looking at posture, gesture, head without at least some others. Their roles,
movement and gaze as an appendix to however, could be at different levels of
language and viewing language as the central significance. In other words, as Norris defined
mode, language in this interaction takes on no [8], they take different levels of intensity in
particular intensity for the participants and for interactions. However, it could be some
the viewers it is simply a part of meaning- modes, not al of the modes appeared in one
making aggregate. The son uses posture, advertisement. By looking closely at the
gesture, head movement and gaze to sample videos, it could be interpreted that
communicate with his father, which is only language in fast food advertisements, unlike in
possible through his use of the modes of other situations, general y is not always the
layout and proxemics. The mode of print only and primary communicative means
provides more information for the sale of the meanwhile music, gaze, print, and layout are
fast food product and highlights the also shown to play crucial roles in transferring
meanings as wel as attracting the audiences.
McDonald’s brand name. These modes are
tightly interconnected and together send a Regarding effects that linguistic and
coherent message. Among these modes, gaze
nonlinguistic features in fast food advert
videos, it could be concluded from the
is a very necessary component for the son, findings that al communicative modes
which fol ows his action of passing the burger emerged in the ads support one another in
and observes his dad’s reaction. For the dad,
order to reach the audiences’ eyes, ears and
gaze is also crucial because he cannot know emotions. This is a lot different from adverts
what is going on without seeing in his own on radio or newspaper in which one mode
eyes. Therefore, gaze takes on high intensity may dominate other modes. By combining
in the interaction. In addition to al the modes various communicative modes in advert
above, facial expression should not be missed videos, the producers could express the best
to mention. It helps express the participants’
of their products in interesting and
feelings, which in this advert possibly are entertaining ways.
love and satisfaction, without language. In As for some implications of the study, in the
short, it could be implied from the ad that first place, the researcher believe that the
giving McDonald’s chicken sandwich to
study contributes to enrich the existing
someone you adore is one of the ways to literature of discourse analysis on fast food
express how much you love them. As a result, advertisements, especial y basing on
McDonald’s would attract more customers
multimodal interactional discourse analysis come to buy their fast food.
which could not be seen in the majority of 4. Conclusion
studies on advertising. Hence, this research is
To conclude, by analyzing two advert videos expected to severe as a helpful reference for
of the two wel -known fast food brands (KFC students majoring in English language of
and McDonald’s), the linguistic and non-
English language researchers when they study
linguistic features utilized have been pointed fast food advertisements.
http://jst.tnu.edu.vn; Email: jst@tnu.edu.vn 17 Nguyen Trong Du et al
TNU Journal of Science and Technology 225(03): 11 - 18
Furthermore, the results of the study could be [5]. G. Cook, Discourse of Advertising. New
beneficial in teaching and learning English York, NY: Routledge, 2001.
[6]. T. C. H. Nguyen, “A Discourse Analysis of
language as wel . English learners who desire
the Linguistic Features of the
to master English language, especial y
Advertisements of Food and Drink in
English conversations, should not only pay
English versus Vietnamese,” M.A. Thesis, Da Nang University, 2011.
attention to learn the language only. [7]. V. Schmidtová, “Fast Food Advertising:
Similarly, teachers of English should be
Discourse Analysis,” Bachelor Thesis. Brno:
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Masaryk University, Faculty of Education,
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communicative features such as proxemics,
Literature. Supervisor: Mgr. Martin Adam,
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