Figure it out smaller pdf free Dr. Robert Glover - Tài liệu tham khảo | Đại học Hoa Sen

Figure it out smaller pdf free Dr. Robert Glover - Tài liệu tham khảo | Đại học Hoa Senvà thông tin bổ ích giúp sinh viên tham khảo, ôn luyện và phục vụ nhu cầu học tập của mình cụ thể là có định hướng, ôn tập, nắm vững kiến thức môn học và làm bài tốt trong những bài kiểm tra, bài tiểu luận, bài tập kết thúc học phần, từ đó học tập tốt và có kết quả cao cũng như có thể vận dụng tốt những kiến thức mình đã học.

Chris
Hart
FigureItOut!
The Beginners Guide toDrawingPeople
7
Introduction 8
Start at the Top!
Drawing the Head 10
Be an Egghead: The Basic Head Shape 12
Sculpt the Head 13
Natural Contours of the Face 14
Shading the Face 15
The Eyes 16
The Nose and Mouth 18
The Ears 20
Jaw Shapes 22
The Chin (Yep, It’s a Muscle) 23
Natural Angles of the Neck 24
Check Your Proportions! 25
The Idealized Face 26
Expressions 27
Break It Down!
Step-by-Step Heads 28
Front View 30
3/4 Right View 36
3/4 Left View 40
Profile 44
Get Back to Basics!
Drawing the Body 46
Average Vs. Idealized Figures 48
Drawing the Rib Cage 49
Front View 50
Side View 54
Rear View 58
Construction Poses 62
Express Yourself!
Body Dynamics 70
Shoulder-Hip Tilt 72
The Natural Way to Stand 75
Bending 76
Carrying a Weight 78
More Poses 79
Body Language 80
Strike a Pose!
Drawing Women 82
Ballet Pose 84
Introverted Pose 86
Athletic Pose 88
Graceful Pose 90
Hands on Head 92
Leaning Against Wall 94
Standing 3/4 View 96
Backward Glance 98
On the Move 100
Kneeling on Stool 102
Seated 3/4 Pose 104
Sitting With Legs Entwined 105
Seated on Both Knees 106
Sitting Propped Up 108
Sitting With Legs Extended 109
Sitting on Stool 110
Get in Position!
Drawing Men 112
Classic Standing Pose 114
Back View With Hands Above Head 116
Standing Profile 118
Hands in Pockets 120
Heroic Pose 122
Seated Pose in Perspective 124
Standing With Hands Behind Body 126
Thoughtful Pose 128
Olympic Stance 130
Bend and Stretch 131
On One Knee 132
Muscle Interaction 134
Standing With Arms Out (Side View) 136
Relaxed Figure (Side View) 138
CONTENTS
10
he head is often the first part of a figure
drawing an artist will complete once his
or her initial sketch is in place. And it’s a
good place to begin when learning to draw
people. In this chapter, we’ll familiarize ourselves
with the basic shape of the head, then learn
how to draw the eyes and other features and
see exactly where to place them for correct
proportions. Let’s get started!
Drawing the Head
T
Chapter
1
11
Be an
Egghead:
The Basic
Head Shape
n order to place the features
correctly and end up with a
realistic-looking head, we
eed to start with a good shape.
nd it has to be one that can be
asily reproduced at many angles.
circle is just too cartoony for
realistic drawing of the head,
ut an egg shape is very close.
We’ll need to make some minor
odifications to this basic shape,
ut it works as a starting point.
I
12
Profile Left
3/4 Left View
Front View
Profile Right
3/4 Right View
Sculpt the Head
ow that we have the basic outline
of the head, we need to sculpt it
to make it more closely resemble
an actual head. Happily, all that’s required
are a few minor adjustments.
N
Here’s a hint that will
help make your characters
look more feminine or more
masculine. When the male
head is posed in a 3/4 view,
there are “bumps” on the
far side of the face—the
cheekbone, the cheek
muscle and the chin. We
eliminate the cheek muscle
in females, for a sleeker,
more feminine appearance.
Drawing the Head
Add mass
to back
of head
Indent
jaw line
Make
eye
socket
concave
Basic Egg Shape
Modified Egg Shape
This “bump”
is the cheek
muscle
13
Head Shape: Male Vs. Female
14
3/4 View Right
Profile Right
Profile Left
3/4 View Left
Natural
Contours of
the Face
he head is not flat, nor is it
perfectly round. The dotted
lines in these drawings show
you where the planes of the face
change angles. It’s sort of a map
of the head. Let’s take a look at these
changes of planes at various angles.
T
Front View
Notice how the contour lines travel
along (are continuations of)
the natural path of the cheekbones.
Drawing the Head
Shading
the Face
ost light comes from above,
in the form of sunlight or
overhead lighting. The light
hits the protruding parts of the
head, causing them to cast shadows
below and to the side. These
shadows add a sense of depth and
a feeling of solidity to the head,
making it look like it was carved
from a block of stone.
M
Eye
socket
Side
of nose
Underside
of nose
Shadow
of nose
Underside
of chin
Upper lip
Underside
of bottom lip
15
The Eyes
he eyes are arguably the
most important features of
the face when drawing the
head, because they appear close
to the middle of the head and
because they're so expressive.
Effectively drawn eyes create a
direct link between the viewer
and the image on paper.
The shape of the eye in the
front view is totally different
from the side view. Vary the tone
(darkness) of the pupil, iris,
eyebrow and eyelids to bring the
eyes forward. The lines of the
eyelids are usually drawn darker
than the other lines of the face.
T
The upper eyelid
casts a subtle but
nonetheless visible
shadow on the
eyeball, which adds
a feeling of depth
and roundness
to the eye.
Profile
Front View
Female
The woman’s eye
is almond-shaped
with thin, arching
eyebrows. The
eyelashes brush
softly to one side.
Male
The man’s eye is
also almond- shaped,
but he has a heavier
upper eyelid and a
heavier eyebrow. You
can omit the eyelashes.
Female
The eyelashes extend
significantly forward and
backward. The eyebrow
arches from high to low.
Male
The eyelid extends
slightly over the eyeball.
The eyebrow is flatter
and lower.
16
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Preview text:

Chris Hart FigureItOut!
The Beginner’s Guide to DrawingPeople CONTENTS Introduction 8 Start at the Top! Strike a Pose! Drawing the Head 10 Drawing Women 82
Be an Egghead: The Basic Head Shape 12 Ballet Pose 84 Sculpt the Head 13 Introverted Pose 86
Natural Contours of the Face 14 Athletic Pose 88 Shading the Face 15 Graceful Pose 90 The Eyes 16 Hands on Head 92 The Nose and Mouth 18 Leaning Against Wall 94 The Ears 20 Standing 3/4 View 96 Jaw Shapes 22 Backward Glance 98
The Chin (Yep, It’s a Muscle) 23 On the Move 100 Natural Angles of the Neck 24 Kneeling on Stool 102 Check Your Proportions! 25 Seated 3/4 Pose 104 The Idealized Face 26 Sitting With Legs Entwined 105 Expressions 27 Seated on Both Knees 106 Sitting Propped Up 108 Break It Down! Sitting With Legs Extended 109 Step-by-Step Heads 28 Sitting on Stool 110 Front View 30 3/4 Right View 36 Get in Position! 3/4 Left View 40 Drawing Men 112 Profile 44 Classic Standing Pose 114
Back View With Hands Above Head 116 Get Back to Basics! Standing Profile 118 Drawing the Body 46 Hands in Pockets 120
Average Vs. Idealized Figures 48 Heroic Pose 122 Drawing the Rib Cage 49 Seated Pose in Perspective 124 Front View 50
Standing With Hands Behind Body 126 Side View 54 Thoughtful Pose 128 Rear View 58 Olympic Stance 130 Construction Poses 62 Bend and Stretch 131 On One Knee 132 Express Yourself! Muscle Interaction 134 Body Dynamics 70
Standing With Arms Out (Side View) 136 Shoulder-Hip Tilt 72 Relaxed Figure (Side View) 138 The Natural Way to Stand 75 Bending 76 Carrying a Weight 78 More Poses 79 Body Language 80 7 10 Chapter 1 Drawing the Head
he head is often the first part of a figure
drawing an artist will complete once his
Tor her initial sketch is in place. And it’s a
good place to begin when learning to draw
people. In this chapter, we’ll familiarize ourselves
with the basic shape of the head, then learn
how to draw the eyes and other features and
see exactly where to place them for correct
proportions. Let’s get started! 11 3/4 Left View Front View Be an Egghead: Profile Left The Basic Head Shape n order to place the features correctly and end up with a Irealistic-looking head, we
eed to start with a good shape.
nd it has to be one that can be
asily reproduced at many angles.
circle is just too cartoony for realistic drawing of the head, ut an egg shape is very close.
We’ll need to make some minor
odifications to this basic shape, Profile Right
ut it works as a starting point. 3/4 Right View 12 D Add mass r to back a of head w ing t Make he eye socket H concave e Indent a jaw line d Basic Egg Shape Modified Egg Shape Sculpt the Head
ow that we have the basic outline
of the head, we need to sculpt it
Nto make it more closely resemble
an actual head. Happily, all that’s required are a few minor adjustments. Head Shape: Male Vs. Female Here’s a hint that will help make your characters look more feminine or more masculine. When the male head is posed in a 3/4 view, there are “bumps” on the far side of the face—the cheekbone, the cheek muscle and the chin. We eliminate the cheek muscle This “bump” in females, for a sleeker, is the cheek more feminine appearance. muscle 13 Natural Contours of the Face he head is not flat, nor is it perfectly round. The dotted Tlines in these drawings show
you where the planes of the face
change angles. It’s sort of a “map”
of the head. Let’s take a look at these
changes of planes at various angles.
Notice how the contour lines travel along (are continuations of)
the natural path of the cheekbones. Front View Profile Right 3/4 View Right 3/4 View Left Profile Left 14 D rawing Shading the the Face H e ost light comes from above, ad in the form of sunlight or Moverhead lighting. The light
hits the protruding parts of the
head, causing them to cast shadows below and to the side. These
shadows add a sense of depth and
a feeling of solidity to the head,
making it look like it was carved from a block of stone. Eye socket Side of nose Underside of nose Shadow of nose Upper lip Underside of bottom lip Underside of chin 15 The Eyes Female he eyes are arguably the ▼The woman’s eye most important features of T is almond-shaped the face when drawing the with thin, arching
head, because they appear close eyebrows. The to the middle of the head and eyelashes brush
because they're so expressive. softly to one side.
Effectively drawn eyes create a direct link between the viewer and the image on paper. Male The shape of the eye in the
front view is totally different The man’s eye is ▼
from the side view. Vary the tone also almond- shaped,
(darkness) of the pupil, iris, but he has a heavier
eyebrow and eyelids to bring the upper eyelid and a
eyes forward. The lines of the heavier eyebrow. You
eyelids are usually drawn darker can omit the eyelashes.
than the other lines of the face. Front View Female The upper eyelid The eyelashes extend ▼ significantly forward and casts a subtle but backward. The eyebrow nonetheless visible arches from high to low. shadow on the eyeball, which adds a feeling of depth Male ▼ and roundness The eyelid extends to the eye. slightly over the eyeball. The eyebrow is flatter and lower. Profile 16